My Minimal Sony Travel Photography Kit
I’ve been shooting on the Sony system for over a year and after a lot of (expensive) trial and error, I can share my travel photography setup that’s served me very well, and hasn’t changed in a while. Of course, this is based on my own experience and preferences, so don’t take it as gospel. Furthermore, in no way am I saying that you need this kit. The same can be achieved with a much more affordable like-for-like solution. Finally, you will see links to the products throughout this blog. These are affiliate links that cost you no extra, but give me a small % kickback if you end up purchasing something. This allows my blog to stay ad-free for the best reading experience.
Sony A7RV & A7CR
Let’s start with the most important item, the camera. I travel with two systems, the A7CR and the A7RV. The 60mp sensor you get in both is utterly outstanding. The reason I personally go for such a high-resolution sensor is that it allows me to shoot in APS-C mode and still retain 26mp, thus extending the range of my lenses. The decision between using the A7RV or the A7CR, can be boiled down to the following key points.
I pick the A7RV if:
I need a bigger body because I will be using larger lenses, or shooting with thick gloves in a cold environment.
I need a joystick or more custom buttons.
I need an articulating screen, not one that can only flip out.
I plan on using the EVF extensively.
I need to shoot in burst, thus require the fastest buffer times.
I plan on shooting something important and need dual memory slots.
I need a more robust body that can withstand more abuse.
I need to get shit done.
I pick the A7CR if:
I need the smallest and lightest body.
I will be using small primes.
I want a camera that doesn’t scream “pro”.
I will be doing casual photography or want to bring a camera just in case.
I personally travel with both, as they serve different purposes for me. The A7RV is the workhorse and is almost always used with the 24-70mm zoom. The A7CR is my lightweight daily carry, and is married to the 40mm pancake. The biggest reason for having both is for backup. Travel is expensive and time consuming. The last thing I want is to be without a camera due to breakdown, damage or even theft. Both of these cameras use the same battery, have the same lens mount, same sensor, same operation, and do the same thing. This gives me confidence knowing I have a backup, should the worst happen.
Essential Lenses
In most cases I travel with two lenses. The first is my 24-70 f2.8 GM II from Sony. This lens is perfection. The image quality is simply outstanding, it’s pin sharp, it’s built like an absolute tank, and it comes packed with some incredibly useful features such as zoom resistance control, custom buttons, and more. This is what I use for 90% of my travel photography and video. If I need to get shit done, this is the go to lens. I only use it with the bigger A7RV due to better ergonomics and balance with the larger body.
The second lens is my Sony 40mm f2.5 G. This is a tiny pancake lens that weighs absolutely nothing, and while it might not have the sharpest image in the world, it’s more than good enough for 99% of applications. This lens is glued to my A7CR and it’s what I throw around my neck for casual days out shooting. I love the 40mm focal length for every day, however you can get the same lens in a 24mm or a 50mm flavour if you prefer.
Optional Lenses
There are two lenses that only come with me when I know I will be going somewhere specific that would require them. The first is my Sony 70-200 f2.8 GM II. This is a telephoto beast that produces an insanely detailed image. It’s big and heavy, so I am very selective about where I bring it. This year I only used it in Nazare to shoot the giant waves because for safety, you can’t get too close to the sea. Plus being able to get the shots I wanted was only possible at such extreme focal lengths. Generally speaking this lens would come with me on road trips or if I’m going to be shooting in nature.
The second lens is my Sony 50mm f1.4 GM prime. This is the low light king and comes with me any time I know I will be shooting at night. It’s not that big or heavy, but I prefer to travel minimally, which is why it stays at home unless I know there will be low light shooting. At night I prefer 50mm, but it also comes in 24mm, 35mm, and 85mm versions. This year I’ve used this lens for two trips only.
Urth Magnetic Filters
I only use two types of filters: ND8 and CPL. The ND8 is essential when shooting wide open in bright light or with a slow shutter speed. The CPL isn’t used as often, but it can do wonders for reflections, glare, and boosting some colours. The filters attach using a simple magnetic system from Urth. The overall footprint is small, and the kit even comes with a magnetic lens cap that’s sturdier and smaller than the original plastic one. https://geni.us/klGhyo5
CF Cards & V90 SD Card
On the A7RV, I use CFexpress cards instead of SD as it unlocks the full potential of the camera. It also makes file transfers so much faster. On the A7CR, I use a V90 SD card for the same reasons. CF: https://geni.us/DXhy0B SD: https://geni.us/5bUNh
Thunderbolt Cable
When it comes to offloading your photos from your camera to a computer, I would highly recommend getting a Thunderbolt 4 cable. This allows you to plug your camera directly into your device and offload files at an incredibly fast rate. This is also better than always taking the memory card in and out. I use Thunderbolt 4 cables by Anker. https://geni.us/QNUHws3
Battery & Charger
A spare battery is essential. I’ve always used genuine ones as I’m a bit paranoid about cheaper third-party ones playing havoc with the camera. I also picked up the rapid charger from Sony which is insanely fast.
PD Neck & Wrist Strap
I have two straps from Peak Design, one for neck and one for wrist. Sometimes I want to throw the camera round my shoulder for a casual walk round town. Other times I want the camera to stay in hand if my main focus is photography. Wrist: https://geni.us/jpkNkQl Neck: https://geni.us/Jybbd1m
iPad Pro
Unless I’m going on a multi month trip where I need to get a lot of work done, my laptop stays at home, and instead I bring my 11” iPad Pro. When travelling, the iPad is a much more versatile tool. I’ve published a whole blog on it you can read here.
Sandisk 8TB SSD
I always bring my 8TB drive for backups of everything I shoot. My iPad has 2TB of storage inside, however the SSD is there as another layer of safety, plus extra storage just in case. 8TB wasn’t cheap, but having the peace of mind knowing I will never run out of room is worth more to me. https://geni.us/6TOH
Anker Battery Pack
I wouldn’t leave the house without it. https://geni.us/Ob5HW
Mini Tripod
I don’t use tripods for photography what so ever, however I always travel with a mini tripod just in case. This was proved incredibly useful earlier this year when I needed a long shutter speed to get a photo of Etna erupting. I find the Manfrotto Pixie one to be the easiest to use, however they all do the same thing. https://geni.us/oLGgdOj
Small Mic
This isn’t a photography accessory, and if you don’t care about video at all, feel free to stop reading here. While the A7RV and A7CR are amazing photo cameras, their video capabilities are just as good. I often find myself taking small video clips of scenes as memories or to share alongside the photos. The built-in mics are fine, but on windy days can result in ruined audio. I picked up the tiny Sony ECM-G1 mic that connects via the hot shoe and gives clean, high-quality audio. https://geni.us/hf9QYE
Bags…
In previous blogs I used to recommend specific bags I was using at the time, however these days I find myself using a bunch of different bags depending on destination, duration, and trip purpose. The brand of bag doesn’t matter, as after trying a bunch of different ones, I learned that they all do the same job. The most important thing is that it’s comfortable, secure, and suitable for the weight you are carrying.
I generally have a small backpack and a sling. The backpack is great for long walks, hiking, beach days, or if I am bringing big lenses. The sling is better some street photography and exploring the city. Backpacks offer better ergonomics if you have a heavy load, slings are preferred in cities due to their security.
Instead of telling you how these will change your life, I would rather be practical and answer the most common questions that people tend to have when buying presets.
What are presets?
They are editing settings that are saved in a file and can be applied to any image.
Why do people buy presets?
Sometimes because they like the work of the photographer and want that style for their own photos. Mostly because they would like to see how other people edit and learn by reverse engineering the presets. Other times it’s just to support their favourite photographers, thank you!
What’s the overall style of these presets?
- Filmic
- Warm
- Soft
- Bright
What are these presets suitable for?
Street & Travel Photography
Some Nature (with further editing)
Some Portraits (with extensive editing)
Do I actually use these?
Yes. This is the same pack I use right now for all my editing. This isn’t a pack made just to sell.
Do these presets get updated?
Yes, as my style changes, these presets will also be updated. Any time a new update is available, you will get a free update via email. Of course you also keep all the old presets in case you prefer the older looks. Only presets purchased from 2025 onwards will receive the updates.
What file types are these presets for?
- All RAW files
- JPEGs & TIFFs (not recommended)
What camera brands are these presets for?
These were designed around Fujifilm, Sony, and Leica sensors. With that said, they will work with all camera brands. While there might be differences due to individual camera colour science, the overall feel of the preset will carry over.
Will these work with JPEG files?
Yes, but you will need to reduce the intensity and make further edits. I strongly recommend editing RAW files.
Are these one click edits?
95% No. You would need to do some basic adjustments as each image is different. These adjustments can include exposure, colour balance etc. In 5% of cases you can just apply and leave it alone.
Do I need to know how to edit?
You need to have a basic understanding of adjusting exposure, highlights, shadows, etc. A more comprehensive editing skillset will let you get the most out of them.
How many presets are included?
10 in the main pack and 24 in the extras pack
Why two packs?
The main pack is what I use for 99% of my edits and is kept small to reduce wasted time scrolling through presets. The extras pack is everything I don’t use often.
What software do I need?
These presets will work with any of the following:
- Photoshop (adobe camera raw)
- Lightroom Classic
- Lightroom Desktop
- Lightroom Mobile
Will these presets work with free versions of the above software?
You need to research and double check before buying. These presets were designed for the full paid versions.
Will these presets work with very old versions of the above software?
You need to research and double check before buying. These presets were designed on and for the latest software.
What file type do I get?
XMP
What else do I get?
- Comprehensive PDF guide
Can I modify these and turn them into my own?
Yes! In fact I encourage you to modify them and play around. Use these to help you get your own style.
I have more questions…. What do I do?
Make a cup of tea and drop me an email on hello@snapsbyfox.com
Please note that due to the nature of digital products, refunds are generally not accepted. However, if you experience any issues, feel free to contact me and I’ll review your situation individually. You are welcome to use this product for personal or commercial projects, but you may not copy, distribute, or resell the files in their original or modified form.
Finally I want to say a massive thank you for supporting me. Buying these presets is the most direct way you can support my work.
Thank you!