Why I Left Fujifilm
In recent days, I shared some photos of a couple of cameras that were not Fujifilm and mentioned that my main workhorse camera would no longer be a Fuji. To my surprise, my comments and DMs were flooded with people asking why, congratulating me, or expressing their disappointment. I’m writing this blog to clearly explain why I switched, for anyone who’s interested.
What did I use before?
My original photography kit was entirely Fujifilm-based. My workhorse cameras were the Fuji X-H2S and X-H2. My fun cameras were the X-T5 and X100VI. As for lenses, I had the f/2.8 zooms and f/1.4 primes. These were reserved for the larger bodies, while a few smaller f/2 primes were used with the X-T5. I’ve been using Fuji cameras since I began photography around seven years ago, and until now, I hadn’t ventured into other brands.
What do I use now?
There will be a separate blog about my current setup, but to keep it brief: I now use a Sony A7R V as my workhorse camera and a Leica Q3 43 as my fun photography camera. I will keep the Fuji X100VI as my daily carry. Lastly I have a Sony A7CII as a backup. For lenses, I have the Sony 24-50mm f/2.8, 16-25mm f/2.8 and 70-200mm f/4. For primes, I own the Sigma 35mm, 50mm, and 90mm f/2 lenses. In the future I plan to experiment with the f1.4 primes too.
Was the switch sudden?
Although it might seem sudden in terms of purchasing the gear, this decision had been on my mind for over a year. I came close to switching a few times before but never quite committed, for one reason or another. However, after over a year of contemplation, I made the decision last week.
Are any brands involved?
No, there are no brands involved. I have no contact with Sony or Leica, and they most likely don’t even know I exist. I wouldn’t want this switch to be sponsored by a brand, as that would compromise my ability to fairly review the equipment.
Was the switch expensive?
Yes, it has been costly overall. Once I’ve traded in my Fuji gear, it will offset the expense a bit, but I’m still thousands of pounds out of pocket.
Is the switch difficult?
Not at all. A camera is a camera, and anyone with a brain can figure out how it works in less than a day by experimenting and Googling things they don’t understand. Adjusting to the files and adopting a new editing approach takes some getting used to, but as I’ll explain later, that’s part of the reason for the switch.
Why Sony?
Of all the brands, Sony is the one I’ve had experience with before and genuinely enjoyed using. I know some people dislike them, but I personally loved the A7 IV. Sony also suits my shooting style best in terms of layout, functionality, and features. It’s the most compact system with the widest range of lenses. For me, it was either Sony or nothing. Expect many detailed blogs on this camera and system in the future.
Why Leica?
While the Sony is fantastic for getting work done, it feels a bit like a computer, which is great for when I need the camera to get out of my way. However, I wanted something more stripped back for when I want to enjoy photography at a slower pace. Although the X100VI was intended for that purpose, I honestly struggled to fall in love with it. The only other option that caught my eye was the Q3 43. Yes, it’s very expensive, but since photography is my job, hobby, and passion, it’s an investment I can easily justify. Like with the Sony, you can expect many future blogs about the Leica.
Why leave Fuji?
This is the part most people are curious about. There are several key reasons:
Lack of professional features
In recent years, Fujifilm has increasingly targeted the beginner market with its APS-C cameras. While they’ve introduced features I consider gimmicks (e.g., film simulation dials), they’ve neglected updates for professionals. Compared to Sony, the X-H2 is missing many critical features. For instance, I still can’t program individual custom buttons for photo and video modes. This might seem trivial, but for hybrid shooters it can be a pain. More on this in another blog.
Decline in build quality and reliability
The X-T3 was built like a tank and felt premium. By comparison, the X-T5 and X100VI show a noticeable decline in build quality. I’ve also experienced reliability issues with nearly all my Fuji cameras, with many requiring repairs. Most recently, the paint on my X100VI began peeling on a hot day. Prices are rising, but quality seems to be dropping.
Autofocus issues
Autofocus has worsened with each update. While shooting in Vietnam with the 18mm f/1.4 prime, autofocus in AFC mode was slow. Switching to AFS helped, but that misses the point. In video, AF was even worse, with frequent hunting during talking-head segments, prompting comments from viewers. On a £2,300 camera, this is unacceptable, especially after numerous firmware updates.
Over-reliance on Fuji colours
I realised I’d become too reliant on Fuji’s colour profiles as a base for editing. When editing Sony files earlier this year, I struggled to achieve the desired colours straight away. As a professional, I need to produce my vision from any modern RAW file without relying on a specific brand’s aesthetic or colour science.
Content creation opportunities
Switching brands opens up opportunities to create new content for a fresh audience. Since writing blogs and creating videos is a significant part of my income, this pivot makes sense from a business perspective.
Avoiding a label
I noticed I was becoming known more for the brand of camera I used than for my work. Some even referred to me as “Mr Fujifilm” or “a Fujifilm photographer.” No serious photographer wants to be defined by their gear rather than their art. Switching brands will, I hope, shed this label.
Boredom
After seven years with Fuji, I know the system inside out. With nothing new or exciting on the horizon, I felt I’d outgrown the brand and needed the challenge of exploring something different.
Will I keep any Fujis?
Yes, I will keep the X100VI as a daily carry camera and out of all the Fujis, it’s the one I enjoy using the most. The rest of my Fuji gear will go.
Will I make a video on this topic?
I don’t think so, this blog covers everything, and I don’t feel the topic warrants a video unless there is enough demand.
Instead of telling you how these will change your life, I would rather be practical and answer the most common questions that people tend to have when buying presets.
What are presets?
They are editing settings that are saved in a file and can be applied to any image.
Why do people buy presets?
Sometimes because they like the work of the photographer and want that style for their own photos. Mostly because they would like to see how other people edit and learn by reverse engineering the presets. Other times it’s just to support their favourite photographers, thank you!
What’s the overall style of these presets?
- Filmic
- Warm
- Soft
- Bright
What are these presets suitable for?
Street & Travel Photography
Some Nature (with further editing)
Some Portraits (with extensive editing)
Do I actually use these?
Yes. This is the same pack I use right now for all my editing. This isn’t a pack made just to sell.
Do these presets get updated?
Yes, as my style changes, these presets will also be updated. Any time a new update is available, you will get a free update via email. Of course you also keep all the old presets in case you prefer the older looks. Only presets purchased from 2025 onwards will receive the updates.
What file types are these presets for?
- All RAW files
- JPEGs & TIFFs (not recommended)
What camera brands are these presets for?
These were designed around Fujifilm, Sony, and Leica sensors. With that said, they will work with all camera brands. While there might be differences due to individual camera colour science, the overall feel of the preset will carry over.
Will these work with JPEG files?
Yes, but you will need to reduce the intensity and make further edits. I strongly recommend editing RAW files.
Are these one click edits?
95% No. You would need to do some basic adjustments as each image is different. These adjustments can include exposure, colour balance etc. In 5% of cases you can just apply and leave it alone.
Do I need to know how to edit?
You need to have a basic understanding of adjusting exposure, highlights, shadows, etc. A more comprehensive editing skillset will let you get the most out of them.
How many presets are included?
10 in the main pack and 24 in the extras pack
Why two packs?
The main pack is what I use for 99% of my edits and is kept small to reduce wasted time scrolling through presets. The extras pack is everything I don’t use often.
What software do I need?
These presets will work with any of the following:
- Photoshop (adobe camera raw)
- Lightroom Classic
- Lightroom Desktop
- Lightroom Mobile
Will these presets work with free versions of the above software?
You need to research and double check before buying. These presets were designed for the full paid versions.
Will these presets work with very old versions of the above software?
You need to research and double check before buying. These presets were designed on and for the latest software.
What file type do I get?
XMP
What else do I get?
- Comprehensive PDF guide
Can I modify these and turn them into my own?
Yes! In fact I encourage you to modify them and play around. Use these to help you get your own style.
I have more questions…. What do I do?
Make a cup of tea and drop me an email on hello@snapsbyfox.com
Please note that due to the nature of digital products, refunds are generally not accepted. However, if you experience any issues, feel free to contact me and I’ll review your situation individually. You are welcome to use this product for personal or commercial projects, but you may not copy, distribute, or resell the files in their original or modified form.
Finally I want to say a massive thank you for supporting me. Buying these presets is the most direct way you can support my work.
Thank you!