How To Make Money From Photography 2024
In my experience there are only two main ways one can make money from a camera. The first is a traditional freelance path and the second is to build an audience that wish to support you. There are other ways too but these are the main ones. Prior to trying the online audience route, I dabbled with some freelancing for a couple years and honestly, it was hell. Unless you’re in the very top 1% the money is not great. Unless you’re willing to put clients before your own life, you can easily end up with no clients. You will need to always be networking, looking for new clients, keeping current ones happy, reaching out to old jobs and constantly be pitching. You will lose work to someone who’s cheaper and someone who’s mates with the HR person even though their work sucks. You will have no idea when your next pay check will be and how much it will be for. You will spend months chasing clients who don’t pay. You will deal with people who frankly don’t give a shit about you or your time. Most of all you will spend hours of your time making someone else’s business look good for average money, sub par treatment and zero benefits. I know it all sounds doom and gloom and of course there are some amazing clients and amazing jobs. However this is the real picture and one that often gets glossed over.
When it comes to building an online audience, then having great photos is no longer enough. 10 years ago when social media was young and photography wasn’t as democratised, you could be an above average photographer and build an audience from just your photos. Today this is simply not a reality for 99.9% of people. The bar has gone up 10 fold and photography is accessible to pretty much everyone. If you want to build an audience these days you need to either teach, entertain or inspire. In order for you to inspire others, you need to have a lifestyle or personality that’s inspirational. In order for you to entertain others, you need to have the desire to make entertaining content. Most people don’t fall into these two categories, at least not initially. The only other option is for you to teach, which is why many (including me) go down the YouTube / IG Reels path. Personally I recommend everyone to try it if they wish. Even if you find it’s not for you, you will gain new skills and confidence from making videos. If you do stick at it and your platform grows, then you need to think of how you can add value to others and in return allow them to support you. A good example is this very blog you’re reading. You spent your hard earned cash to buy it thus supporting me and in return, I’m sharing everything I’ve learned over the years in the hopes of giving you a shortcut and improving your photography.
My honest advice to everyone is to have a solid 9-5 that you actually like where hopefully you’re treated well, have good benefits and some flexibility while keeping photography as a hobby. For sure build a small audience around your work and maybe even sell some zines for fun, however your living expenses are not tied to your hobby. There are some very well known photographers with huge online followings that still have a 9-5 and want to keep it that way. Of course if over time you find that your hobby morphs into something else and you have an opportunity to give it a shot, then go for it, I did and it was the best decision I’ve made. If you’re still interested in pursuing either one of these paths, then I hope the following will give you some initial guidance.
If you wish to go down a freelance path, the first thing you need to figure out is what you want to specialise in. No one hires a photographer who does weddings on weekends, food photography on Tuesdays and shoots cars on the Friday. If you’re not sure what you want to photograph, take on as many different free shoots as possible until you start to get a feeling for what you like. Once you have a rough idea, then delve deeper and find a niche within that genre. The more specific the niche the easier it would be for perspective clients to figure out if you’re a good fit or not. Once you have a good idea of what you want to shoot, then you need to build a GOOD portfolio. If you have no experience, then do free shoots until you gain that experience. When you eventually have a portfolio you’re happy with, create a portfolio website and a dedicated social media profile for your business. Start charging a small amount and hopefully you will have a few leads from all the free shoots you’ve done to get going. If not, reach out to them and see if they need more shoots or if they know someone who might. Your job now is to get clients so think about where your potential clients might be and find a way to get there. Then repeat the same process over and over while consistently increasing the quality of your work. This is a gross oversimplification but as I said, this isn’t a ‘How to make money from photography’ book.
If you wish to go down the online creator path, the first thing you need to figure out is what you want to specialise in. No one follows a photographer who posts cars today, birds tomorrow and edgy self portraits the day after. Find a genre that you like and focus on that at least initially. Like with freelancing, the more specific the better because people want to know what they are getting themselves into when they hit the follow or subscribe button. Your first priority should be to get to above average competence before trying to grow your profile. There plenty of YouTubers who talk a good game yet their photos don’t always match up. Once you have a couple years of experience behind you, then you can start sharing advice to those who are just starting out. Think back to the issues you faced and how did you overcome them. Have a think about what you would do differently knowing what you know now and find a way to put that information into something concise and easy to digest. Once you have a format, create videos around those topics for both YouTube and IG Reels. Before you actually film anything, first of all write a script with everything you want to cover. Not only does this help you stay on point in the video, it also doubles up as a blog for your website. Then like before, simply repeat, fine tune and improve. The biggest issue you will face is losing motivation when nothing seems to work, however everything takes longer than you think. It took me 4 months of weekly videos to get to 100 subscribers. It took me 2 years of near daily posting to get to 1000 instagram followers. This is why consistency and slow improvement is key.
The next piece of advice is to avoid going viral unless all you want is temporary online fame. I used to know a fashion guy who desperately wanted to grow his YouTube channel. He had around 20k subscribers at the time and used to post videos about the clothes he was wearing. Although his channel was ok, it never really progressed and seemed somewhat stagnant. 2020 came around and as Covid got us all stuck indoors, home workouts became the trending thing. To capitalise on that, he made a couple home workout videos and they took off amassing tens of millions of views. His channel went from 25k to over a million in a year. Sounds great right? Well if I go and look at his channel now, even though he has nearly 2 million subscribers, many of his videos barely get over 50k views these days. The only videos that still do well are home workouts, not fashion. Don’t get me wrong, he still has a very profitable YouTube business and has nothing to worry about, however what this shows is if you go viral for something, be prepared for the majority of your audience to only care about the topic you went viral for. For example you love wildlife photography and that’s all you want to do, however you've seen that street photography has become popular and you decide to jump on the bandwagon for some easy views. You make a video that ends up going viral and your following has gone from 1000 to 10,000. Although this might initially seem amazing, the reality is that 90% of your audience doesn’t care about wildlife photography. Next time you share an amazing photo of an Arctic Fox from your Iceland trip, most people will scroll past because it’s not what they signed up for.
Finally I want to touch on AI. Whether you like it or not it’s coming and although I can’t predict the future, I can make an educated guess on how it might impact photography. I won’t go into the details here, instead I will cover how it might impact you making money. To put simply, AI will never replace human interaction and capturing real life human events. AI will never replace wedding, portrait and event photographers. AI will never replace photojournalists or people who document real life events. On the other hand, I can see AI replacing product and stock photographers.
Instead of telling you how these will change your life, I would rather be practical and answer the most common questions that people tend to have when buying presets.
What are presets?
They are editing settings that are saved in a file and can be applied to any image.
Why do people buy presets?
Sometimes because they like the work of the photographer and want that style for their own photos. Mostly because they would like to see how other people edit and learn by reverse engineering the presets. Other times it’s just to support their favourite photographers, thank you!
What’s the overall style of these presets?
- Filmic
- Warm
- Soft
- Bright
What are these presets suitable for?
Street & Travel Photography
Some Nature (with further editing)
Some Portraits (with extensive editing)
Do I actually use these?
Yes. This is the same pack I use right now for all my editing. This isn’t a pack made just to sell.
Do these presets get updated?
Yes, as my style changes, these presets will also be updated. Any time a new update is available, you will get a free update via email. Of course you also keep all the old presets in case you prefer the older looks. Only presets purchased from 2025 onwards will receive the updates.
What file types are these presets for?
- All RAW files
- JPEGs & TIFFs (not recommended)
What camera brands are these presets for?
These were designed around Fujifilm, Sony, and Leica sensors. With that said, they will work with all camera brands. While there might be differences due to individual camera colour science, the overall feel of the preset will carry over.
Will these work with JPEG files?
Yes, but you will need to reduce the intensity and make further edits. I strongly recommend editing RAW files.
Are these one click edits?
95% No. You would need to do some basic adjustments as each image is different. These adjustments can include exposure, colour balance etc. In 5% of cases you can just apply and leave it alone.
Do I need to know how to edit?
You need to have a basic understanding of adjusting exposure, highlights, shadows, etc. A more comprehensive editing skillset will let you get the most out of them.
How many presets are included?
10 in the main pack and 24 in the extras pack
Why two packs?
The main pack is what I use for 99% of my edits and is kept small to reduce wasted time scrolling through presets. The extras pack is everything I don’t use often.
What software do I need?
These presets will work with any of the following:
- Photoshop (adobe camera raw)
- Lightroom Classic
- Lightroom Desktop
- Lightroom Mobile
Will these presets work with free versions of the above software?
You need to research and double check before buying. These presets were designed for the full paid versions.
Will these presets work with very old versions of the above software?
You need to research and double check before buying. These presets were designed on and for the latest software.
What file type do I get?
XMP
What else do I get?
- Comprehensive PDF guide
Can I modify these and turn them into my own?
Yes! In fact I encourage you to modify them and play around. Use these to help you get your own style.
I have more questions…. What do I do?
Make a cup of tea and drop me an email on hello@snapsbyfox.com
Please note that due to the nature of digital products, refunds are generally not accepted. However, if you experience any issues, feel free to contact me and I’ll review your situation individually. You are welcome to use this product for personal or commercial projects, but you may not copy, distribute, or resell the files in their original or modified form.
Finally I want to say a massive thank you for supporting me. Buying these presets is the most direct way you can support my work.
Thank you!